The Consortium of Artsformation is composed of researchers from different disciplines, curators, artists, project managers, and cultural workers who work together to make sure that the story of Artsformation is a successful one.

Ana Alacovska

Ana Alacovska is an associate professor PhD at Copenhagen Business School. Her current research interests revolve around the sociology of culture with an emphasis on the power of genres to influence institutional and social relations; the creative labour studies with a special accent on gender inequalities and the critical studies of media organizations. She is now conducting research on the economic, cultural and social dynamics of the production of Scandinavian crime fiction within the Danish publishing field. This project, entitled “Masters of Crime: Scandinavian Crime Fiction in a Media Industries Perspective”, is generously funded by the Danish Research Council for the Humanities. She has been the leader of a large research project on the temporality and informality of post-socialist creative work financially supported through a grant awarded by the Swiss Agency for Development and Cooperation through the University of Fribourg in Switzerland.

Arthur Le Gall

Arthur Le Gall is director at KEA. He is responsible for coordinating KEA’s research team and supervising studies, reports and projects. He also oversees sport-related activities.  He is specialised in policies for the sport, audiovisual, cultural and creative sectors. He designs methodologies to assess the contribution of the cultural and audiovisual sectors to the wider society and economy, and engineers support programmes and policies for the cultural and creative sectors to nurture arts, culture and creativity across territories. Arthur also delivers strategic advice to local authorities on the role of sport, culture and creative industries for local and regional development. He is the author or co-author of several research pieces on culture and creativity in Europe, including ‘Mapping the creative value chains: A study on the economy of culture in the digital age’ (DG EAC, 2017), a ‘Study on the promotion of European works in Audiovisual Media Services (DG CONNECT, 2017) or the longitudinal evaluation of Mons European Capital of Culture 2015 (Mons 2015 Foundation, 2012-2016). He holds a MA from Sciences Po Lille (FR) in European Affairs and obtained a BA in Politics & International Relations from Kent University (UK).

Christian Fieseler

Christian Fieseler is professor for communication management at BI Norwegian Business School and the founding director of the Nordic Centre for Internet and Society. He received his PhD in Management and Economics from the University of St. Gallen, Switzerland, in 2008. At the former he worked as a postdoctoral researcher, as well as at the Berkman Center for Internet and Society at Harvard University and at Stanford University, before joining BI, in 2014. Cristian’s research interests center on organizational identity, corporate social responsibility and computer-mediated-communication. His research is focused on the question how individuals and organizations adapt to the shift brought by new social media, and how to design participative and inclusive spaces in this new media regime. In this field, he has over the last few years, worked extensively in projects with the European Union and the Norwegian Research Council on technology and new working modes.

Clémentine Daubeuf

Clémentine Daubeuf is Associate Director at KEA, responsible for outreach, public relations and partnerships as well policy issues related to culture and creative crossovers. She has more than 6 years of experience in European research in culture and creative industries as well as managing international online networks. As a researcher, she contributed to studies and projects at the crossroads of culture, innovation, science, economy and society as well as international relations and artistic mobility. Clémentine has an operational knowledge of EU culture-related policies and projects through European project management and dissemination including Creative Europe, Horizon 2020 and Interreg Europe. Clémentine holds a MA from Sciences Po Bordeaux (FR) in Cultural Project Management. She previously worked at the Regional Agency for Cinema, Books and Audiovisual heritage in Aquitaine (FR) for a study of the regional publishing economy. Clémentine speaks French, English, Spanish and Italian.

Fiona McDermott

Fiona McDermott is a researcher based at CONNECT, the Research Centre for Future Communications and Networks at Trinity College Dublin. Her research explores the social and cultural implications of data-driven technologies, with a particular focus on autonomous systems, data infrastructures, and urban governance. Her PhD research focuses on the application of Internet of Things technologies to public infrastructures and city services in New York City and Dublin. Previously, she was a Fulbright visiting scholar at the School of Media Studies at the New School in New York and a researcher at the Interaction Design Centre at the University of Limerick. Before engaging in academia, she worked for architecture and design practices in Germany, Denmark, and the UK. She is a member of Annex, the curatorial team selected to represent Ireland at the Venice Architecture Biennale 2021.

Kirsti Reitan Andersen

Kirsti Reitan Andersen is a Post Doc at Copenhagen Business School. She is passionate about the creative industries and their role in the transition to more sustainable (business) practices.

In her current work she explores the ways in which the arts might take the role as a mediator in the digital transformation. She is also interested in barriers and opportunities to change towards practicing sustainability in the textile and fashion industry, focusing on local production and alternative business models. Kirsti is engaged in the development of teaching material for business students and practitioners. Amongst other material, she has helped develop a MOOC on sustainable business models for the fashion industry targeting business school students and practitioners that is available on Coursera. Kirsti was the project lead on MAKES, a project under Innovation Express that uses film, image and text to bridge design and production across Norway, Sweden and Denmark to further business opportunities in the textile and fashion industry. Kirsti has extensive experience working with design and innovation, both in consultancy and research, drawing on her background in European Cultural Studies and applying and exploring qualitative research methods in her work.

Linda Doyle

Linda Doyle is the Vice President for Research/Dean of Research in Trinity College Dublin and a Professor of Engineering and The Arts. Her expertise is in the fields of wireless communications, cognitive radio, reconfigurable networks, spectrum management and creative arts practices. She is a fellow of Trinity College Dublin. Formerly, she was the founding Director of CONNECT, a national research centre focused on telecommunications in Ireland.

Marta Cillero

Marta Cillero is responsible for communications at European Alternatives. She graduated in Media Studies, Journalism and Communication (Madrid, Istanbul and Chicago) and has a master degree in Gender Studies (Rome). She is the author of research reports about gender violence in Mediterranean countries. She is a member of the executive board and project manager at Chayn Italia, an award-winning organisation based in Italy, Pakistan, India and the UK.

Peter Booth

Peter Booth is Associate Professor II and researcher at BI Norwegian Business School. He is trained as economist at The London School of Economics, in visual arts at the Oslo National Academy of the Arts, and completed his doctorate in Cultural Economics at Erasmus University Rotterdam. Prior to collaborating on Artsformation, Peter was part of a Research Council of Norway funded project, Digitization and Diversity, which explored how digital technologies influence the diversity dimensions in the culture and media sector. His research covers cultural economics, theories of value, sociology of art and finance, and issues connecting the arts and museum sector, digitization and diversity.

Ségolène Pruvot

Ségolène Pruvot is a Cultural Director of European Alternatives. Ségolène has developed extensive experience in designing and implementing transnational participative cultural programmes. She curated, managed and coordinated artistic projects in several European countries, including Transeuropa Festival. She coordinates Room to Bloom, a project supporting the careers and production of young feminist postcolonial artists.

Ségolène is a Doctor in Urban Sociology. In the course of her academic career and professional life, she specialised on the exploration of the intersection between arts, the city and social change. Her PhD Thesis, realised at the University of Milano Bicocca, is entitled ‘Can Participatory Arts Help Deliver (more) Socially Just Creative Cities?’. There she explored how the theoretical input of contemporary arts theory can help better understand the role of arts in the city. She trained as a political scientist and urban planner in France, the UK, and Germany. Ségolène is passionate about the city, equality, feminism, migrant and minority rights.

Tom O'Dea

Tom O’Dea is an artist and art practice-based researcher at CONNECT in Trinity College Dublin. His research is focused on finding ways to understand how technologies of computation and organisation impact upon our ways of acting and being the world. In particular, he is interested in the ways that different forms of knowledge interact in increasingly computational societies.

He completed his art practice-based PhD, ‘Unrepresentable: Technological Futures, Art and The Ontological Singularity” at CONNECT. He holds a bachelor’s degree in Mechanical Engineering from University College Dublin and a master’s degree in Digital Media from the Huston School of Film & Digital Media, NUIG.

Victor Renza

Víctor holds a bachelor in law and an Msc in international development studies from the Norwegian University of Life Sciences. He is currently a Research assistant for the Nordic Centre for Internet and Society at BI-Norwegian Business School and is part of the Horizon 2020 project Artsformation. His main interests lie in sustainable development, digital transformation and gig workers. Particularly, Víctor is interested in how the arts and artists can contribute to face the different challenges of sustainable development within the digital transformation era.

Advisory Board

The External Expert Advisory Board (EEAB) includes leading thinkers, artists, philosophers, activists coming throughout Europe and representing different viewpoints and interests. The EEAB role is to advise the team of Artsformation on the project’s ideas, strategy, research, and artistic productions.

Andrea Bandelli

Andrea is the diplomat in chief of SGI, where he manages the relationships with all network members and external stakeholders. A keen listener and an experienced speaker, Andrea is responsible for developing and implementing the network culture of Science Gallery. A world citizen by trade, Andrea’s academic background includes a MA in Economics, a master in Science Communication and a PhD in Social Sciences, with a specialisation in scientific citizenship. Andrea is a member of the Expert Network of the World Economic Forum and has been a Cultural Leader in Davos in 2017 and 2018, and in Dalian in 2017 and 2019. He is a member of the board of the Deutsches Museum in Munich. In his career spanning 25 years he has worked for several public and private organisations, including science museums, government organisations and universities across Europe, USA, South Africa and Brazil, leading some of the most innovative projects on science, art, democracy and public participation. He has published 2 books and several academic and popular articles on public engagement with science and technology.

Leslie Dunton-Downer

Leslie Dunton-Downer is a writer and producer whose works include books, libretti, studio albums, films, and events such as The Magical Secrecy Tour co-produced with transmediale and N.K. in Berlin. She is a member of the Harvard Society of Fellows and a former Lecturer at Harvard, where she attended college and received a PhD with Distinction in Comparative Literature.

Majken Overgaard

Throughout her career Majken Overgaard has focused on the synergies between technology and contemporary art. The overall objective has been to explore the interdisciplinary universe where art, science and technology cross-fertilize and form a creative environment for development of new ideas, experiments and inventions. Majken Overgaard is an experienced teacher with a focus on creating an inclusive learning environment. As an educational activist she has initiated numerous activities for women and other underrepresented groups in art and technology. Furthermore, she has worked as an external lecturer at the IT University of Copenhagen and Copenhagen University, where the focus has been on developing new approaches to innovation and entrepreneurship for the creative sector. The starting point and motivation has always been the interdisciplinary and world changing possibilities both art and technology hold while unfolding the potential of individuals as well as communities and to make people and ideas grow and come to live.

Sarah Newman

Sarah Newman is Director of Art & Education at metaLAB at Harvard, and a Fellow at the Berkman Klein Center for Internet & Society. Working at the intersection of research and art, her work engages with technology’s role in human experience. In addition to her art practice, she is also a facilitator and educator, and leads workshops with her methodology to use creative materials to address interdisciplinary research problems. Newman holds a BA in Philosophy from Washington University in St. Louis and an MFA in Imaging Arts from the Rochester Institute of Technology. She has exhibited work in New York, San Francisco, Berlin, and London, and has held artist residencies in Germany, Sweden, and Italy. Newman is a 2017 AI Grant Fellow, a member of the 2018 Assembly Cohort, a co-founder of the Data Nutrition Project, and a 2019 Rockafeller AI Resident Fellow. She is currently artist-in-residence at Northeastern University’s Center for Law, Innovation, and Creativity. Her current work explores the social and philosophical dimensions of artificial intelligence and uses interactive art as a means of critique and public engagement.

Stefanie Wuschitz

Stefanie Wuschitz is an arts-based researcher with particular focus on Critical Media Practices (feminist hacking, critical making, posthuman perspectives). She graduated with an MFA in Transmedia Arts in 2006. In 2008 she completed her Masters at TISCH School of the Arts at New York University. 2009 she founded the feminist hackerspace and art collective Mz* Baltazar’s Laboratory in Vienna. In 2014 she finished her PhD on ‘Feminist Hackerspaces’ at the Vienna University of Technology. She held research and Post-Doc positions at the Umeå University, University of Applied Arts Vienna, the Vienna University of Technology, Michigan University, Berlin University of the Arts. She is currently project leader of the FWF research project ‘Feminist Hacking. Building Circuits as an Artistic Practice’ affiliated to Academy of Fine Arts, Vienna and working on a film on Digitalization titled ‘Coded Feminisms in Indonesia’ with affiliation to TU Berlin.